Wednesday, December 23, 2009

Get Ya Motor Runnin'...

Most car ‘aficionados’ don’t really consider the Disco Years to have been a very notable period for automobile design/innovation, but here are some of the hottest, most lusted after cars of the time . . .

1978 Chevrolet Camaro. This version of the Camaro was seen as significantly sleeker than its predecessors. The previous metal bumpers were removed and the rear taillights were redesigned to include 3-color lenses with the fuel door in the middle. T-tops were available on all models.



1977 Pontiac Trans Am. Remember this second generation Trans Am from the ‘Smokey and the Bandit’ movie? Yee-hah!



1976 Chevelle Laguna. Though still pretty funky in 1976, over the years the Chevelle Laguna had grown away from its muscle car roots. Production ended in 1977.



1979 Ford Mustang. This newly designed, lighter version of the Mustang eventually became very popular. It was the first Mustang built on the Fox platform and included a new link and coil spring rear suspension that continued to be used on Mustangs through the 2003 model year.



1979 Ferrari 308. This design defined ‘sports car’ during the Disco Years and, with its 3 liter V8 engine, helped cement the world’s view of Ferrari as one of the top high-end car manufacturers.

Thursday, December 17, 2009

High Drama . . .



Recently finished watching the season 1 and 2 DVD set of ‘Dallas’, which was a guilty pleasure primetime soap during the Disco Years...and well beyond. The show started with a mini-series in April of 1978 and subsequently ran for 12 seasons. I remember this was one of the few shows that my entire family enjoyed…even Daddy liked ole love-to-hate-him J.R. Ewing, the villain of the show. Watching the show brought back fun memories of Friday nights in front of the TV. The start of the weekend! My sister and I could stay up late! Woo-hoo!

'Dallas' was popular before the glitzier and more glamorous nighttime soaps like ‘Dynasty’ and ‘Falcon Crest’ came along. I liked that it focused on the family (as dysfunctional as they were). Also, the good guys were good and the bad guys were bad. Not much character shading going on back then, like there is now…where every character is ‘conflicted’. Dealing with 'shades of gray' is something most of us have to face all too often in real life!

Though J.R. was the most fun character to watch, Sue Ellen, his long-suffering wife, was the most fascinating character. We all understood the motivations behind J.R., Bobby (J.R.'s good guy brother), Pam (Bobby's hot wife) and Cliff (Pam's brother, main nemesis to J.R.), but Sue Ellen was more intriguing. Why does she stay in such a horrible, abusive marriage? It seems to go beyond money and prestige, though it probably started that way based on the episodes featuring Sue Ellen’s social climbing mom. By the end of the second season, it's pretty clear that while she professes to love Cliff, she really loves, wants...is addicted to J.R. Which pretty much drives her insane...good, twisted stuff!!

Disco Years fans will love the outfits...and the discotheque scenes. Lots of boogie-ing and 'bow-chicka-bow-wow' music!
It seemed to me that the show didn’t find its best footing until several episodes in…but once it got rolling, it rocked!

Trivia:
- The show was originally intended to focus completely on life within the Ewing family from Pam's perspective. Sue Ellen's role in particular was supposed to be very minor. However, after the big audience response to J.R. and Sue Ellen, the show became more balanced, focusing on several characters . . . though in later seasons it pretty much became the J.R. show.

- Most fans of the show know Ted Shackelford as Gary Ewing (J.R.'s black sheep brother, who went on to star in a spin-off called 'Knots Landing') and Mary Crosby as Kristen Shephard (Sue Ellen's evil sister, who later made television history on the show...but I won't give that away), but I was surprised to see that both roles were originally played by different actors in these first seasons. Colleen Camp, of all people (pictured below), was Kristen! They obviously wanted to re-cast with a sexier actress...thus, Mary Crosby. It’s irritating that the DVD packaging prominently displays Mary Crosby, even though she isn’t in the first two seasons. The producers really wanted David Ackroyd (pictured below) to stay on as Gary, but he had scheduling conflicts. That’s a good thing in my book, because Ted Shackelford better fit the wimpy-guy-trying-to-be-tough role.




- Patrick Duffy (Bobby) had finished working on the recently cancelled 'The Man From Atlantis' when he got the 'Dallas' job. I'm totally bummed that 'The Man From Atlantis' isn't on DVD yet. Victoria Principal (Pam) was intimidated when she had to audition with Patrick. She had actually saved the TV Guide with him on the cover for 'The Man from Atlantis'.

- Victoria Principal was the only cast member who marked through a clause in her contract stipulating that the actors could not endorse/promote products during the run of the show. Smart move on her part, as later her exercise books/videos were hugely successful.

- You'd probably recognize J.R.'s secretary in these first seasons. She's Tina Louise...Ginger from 'Gilligan's Island'!

Excellent website dedicated to the show: http://www.ultimatedallas.com/

An early version of the opening credits on YouTube: http://www.youtube.com/watch?v=kR2USYyzoac

Friday, December 11, 2009

Creature Features....Grrrr....



I recently watched…okay, I’ll admit it…I recently bought the DVD of two ‘creature features’ made in the prime of the Disco Years. Usually those two movies/one DVD deals are a bargain for a very good reason…as was certainly the case here. This DVD included ‘Empire of the Ants’, a movie so bad it’s actually really good, and ‘Tentacles’, a movie that’s just…bad.

‘Empire of the Ants’ (1977) stars none other than Joan Collins, in all her bitchy glory. She plays a shady real estate agent trying to swindle investors into buying shares of a new beach-side development (basically, Florida swampland). What evil Joan doesn’t know when she arrives at the remote ‘development site’ with a bunch of potential investors (most of whom you’ll recognize from reruns of ‘The Love Boat’ and ‘Fantasy Island’) is that an equally evil corporation has been dumping their toxic waste nearby. Ants have been wallowing in the waste and…you guessed it…they’ve turned into huge and really pissed off Monster Ants! Awesome! Joan and the gang get chased around the development, with investors being methodically picked off one by one. Later, Joan and the few survivors make their way to a nearby town and apparent safety only to realize…but I won’t spoil the ending. Safe to say, as long as you don’t get all bogged down trying to make the story logical, you can appreciate this movie as good cheesy fun.

Trivia:
- I’ve read that, as a promotion gimmick, some theaters displayed ant farms in the lobby when they ran this movie.
- Supposedly, some of the ants used in the film (instead of using stop motion, they magnified real ants to achieve the monster effect) were of a deadly Panamanian variety. I’m skeptical.

Highlights:
- Joan and the rest of the cast totally rock their polyester pantsuits and bell-bottom jeans.
- Robert Pine (one of the ‘CHIPS’ cops) totally molests Pamela Shoop (you’d know her if you saw her…so I included her pic below) and it’s blown off as a ‘boys will be boys’ thing. Man, the 70s were a very different time!

- The queen ant’s ‘zombie spray’. Excellent.

‘Tentacles’ (1976) had a phenomenal cast: John Huston, Shelley Winters, Bo Hopkins, Claude Akins…even Henry Fonda! I just don’t get it. There totally has to be some secret scoop as to why these actors would be in this movie and I’d love to know what it is. Blackmail, maybe? Evidently the movie was filmed in some developing Central or South American country, because the above mentioned actors are about the only ones whose dialogue wasn’t dubbed. It’s always painful for me to watch movies where the lip movements don’t match the voice…it’s one of the reasons I can’t stand those old Chinese kung-fu movies. Anyway, the whole thing, about a giant octopus (or squid…whatever) terrorizing a beach community a la ‘Jaws’ and ultimately being killed by Bo Hopkins’ pet killer whales, makes ‘Empire of the Ants’ look Oscar worthy.